Iskandar Jalil Ceramics Spark Passion Among Collectors in Singapore

The ceramics of Iskandar Jalil, a revered master potter and Cultural Medallion recipient, have captivated collectors in Singapore. At 85 years old, Jalil has built a legacy that resonates with art enthusiasts, ranging from architects and academics to diplomats and affluent families. His work, known for its understated elegance, compels collectors to go beyond a single purchase, with many expressing that “you don’t just buy one.”

One prominent admirer, Dennis Tan, the regional CEO of a global life insurance company, exemplifies this trend. He has accumulated “at least 100” pieces of Jalil’s art, showcasing them throughout his three-storey bungalow in western Singapore. Tan’s collection features a variety of Jalil’s creations, including sculptural vessels, lighting, and furniture, reflecting not only aesthetic appreciation but also a deep emotional connection to the artist’s work.

Embracing Complexity in Collecting

Tan’s dining room is a testament to the beauty of Jalil’s ceramics. A bespoke bookcase prominently displays earthy, rough-hewn teapots, teacups, and vases, emphasizing the unique character of each piece. The potter’s range is vast, with no two items identical in shape, scale, or expression. Many collectors, including Tan, often begin with one vessel but find themselves curating entire clusters of Jalil’s work, transforming spaces in their homes.

In describing his previous home, Tan recalls, “Every corridor and staircase was filled with pottery. My family pleaded with me, ‘Please, enough!’” His collection, however, extends beyond Jalil’s pieces to include vintage Danish furniture and a diverse array of Southeast Asian art. Notable works by artists such as Brother Joseph McNally and Malaysian batik artist Dato’ Chuah Thean Teng adorn his home, illustrating a commitment to preserving both heritage and contemporary culture.

Tan’s approach to collecting is intentional; he does not view it as a means of accumulation or prestige, but rather as a way to support and promote Singaporean artistry. “I really want to do whatever I can to help support, protect, and preserve our heritage,” he states firmly.

Art as a Reflection of Singapore’s Identity

For many collectors, owning a piece of Iskandar Jalil’s work represents a connection to Singapore’s cultural fabric. His ceramics provide a counterpoint to the city-state’s often futuristic image, instead highlighting the nation’s creative depth and historical richness. Tan articulates this sentiment, noting, “Creativity wasn’t always prioritized in Singapore. To persevere and produce meaningful work in that environment is no small feat.”

Over the past decade, Tan has shifted his focus towards a more purposeful collection of Singaporean art. He emphasizes that he has never sold a piece from his collection, underscoring his dedication to preserving the works he cherishes. “I’m definitely not one who buys and sells. I don’t trade. I’m here to really collect, and hopefully pass it on to the next generation,” he adds, referring to his daughters.

The functional yet aesthetic nature of Jalil’s ceramics further enhances their appeal. His designs often incorporate the Japanese philosophy of wabi-sabi, celebrating imperfections and asymmetries. This philosophy resonates with collectors who appreciate the depth and sensitivity in Jalil’s creations.

Tan’s home masterfully integrates various styles, contrasting modernist furniture with Southeast Asian sculptures and Jalil’s pieces. The result is a harmonious environment that invites appreciation of all forms of art. “Full credit goes to my wife,” he admits. “She’s the one with the eye to put things together. For me, my passion is just collecting!”

As they settled into their property in early 2024, Tan and his family remodeled the interiors, opting for open spaces filled with natural light. This renovation allows for a seamless display of their art collections, creating an inviting atmosphere that reflects their shared values and interests.

The Challenge of Acquiring Jalil’s Art

Acquiring Iskandar Jalil’s ceramics presents challenges for collectors due to their limited availability. Tan explains, “The frustrating thing is that you rarely see his pieces in circulation. You might find one or two in museums, but when you go to galleries, there’s very little available.” This scarcity makes each acquisition even more special.

His collection features many of Jalil’s earlier works, which are often larger and more substantial. “I was able to acquire some of them when they were released by government agencies during renovations or restructuring,” Tan notes. He appreciates the unique qualities of these pieces, which often showcase Jalil’s mastery of glazing and design.

Tan highlights a particular piece with a striking crimson glaze, noting its rarity and the technical challenges in achieving such a color. “It’s not just the colour. To get that red, the materials can be more dangerous, sometimes even slightly toxic. That’s why you don’t see many of them.” By contrast, Jalil’s signature hue, known as Iskandar Blue, has become synonymous with his name, showcasing the artist’s unique style.

The relationship between collectors and gallery owners plays a crucial role in acquiring works by Jalil. Tan emphasizes the importance of trust and communication with gallery owners, who can help locate available pieces. Auctions also present opportunities, but require discipline to avoid overspending.

The passion for collecting Iskandar Jalil’s ceramics goes beyond mere acquisition; it is a journey of appreciation, commitment, and cultural preservation. For collectors like Tan, each piece not only enhances their homes but also serves as a testament to Singapore’s rich artistic heritage.