Singapore International Film Festival 2025 to Showcase 110 Films

The Singapore International Film Festival (SGIFF) will take place from November 26 to December 7, 2025, featuring over 110 films from more than 45 countries. This year marks the festival’s 36th edition, with a notable emphasis on showcasing local talent, including more than 30 Singaporean productions.

Film enthusiasts can anticipate a diverse selection of works, including feature films and shorts by Singaporean filmmakers. The complete line-up and ticketing information will be announced on October 24, 2025. Among the highlighted productions is the indie film The Old Man And His Car, which will open the festival’s Panorama section. This section is dedicated to new Singaporean works that address pressing societal issues.

The film tells the story of Hock, a widower preparing to part with his cherished car as he embarks on a new life in Canada with his son. Directed by Michael Kam, it also serves as his debut feature film and will premiere at the esteemed Tokyo International Film Festival before its screening at SGIFF.

Several other Singaporean productions will also have their world premieres during the festival. Sandbox, a comedy featuring Benjamin Kheng and Nathan Hartono, portrays the struggles of a stunt training school battling to survive. The documentary At Home with Work will explore the landscape of home-based businesses, while the short film Cendol stars Sharon Au as a renowned designer returning home to reconnect with her mother. Notably, Cendol marks the directorial debut of actor Qi Yuwu.

In a statement, Jeremy Chua, general manager of SGIFF, emphasized the festival’s commitment to celebrating cinema while ensuring Singaporean narratives remain prominent. He noted, “This year’s world premieres, alongside the doubling of our local short film selection, reflect how deeply we believe in investing in homegrown talent.”

Chua highlighted initiatives like the SGIFF Film Fund, which supports the development and production of new works. He expressed a desire to create more platforms for filmmakers to share their stories and for audiences to appreciate the rich diversity of voices in Singapore.

As the film industry faces challenges, Chua stated, “It is all the more important that we protect and grow the platforms that sustain our film culture.” The SGIFF continues to be a vital space for local and international filmmakers, fostering dialogue and showcasing a broad array of cinematic art.

For additional details about the festival, including ticket sales and the full program, interested parties can visit the SGIFF website.